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L’artista non si pone più come un cortigiano
nasce l’astrazione: i colori attraversano i limiti disegnati
National Museum of Asian Art: https://asia
plays with images we have already seen somewhere
CALDER ALEXANDER, Hommage, 1966 sculture L’artista non si pone piùPerfect impression. Table of Derrire le miroir, Maeght diteur, Paris. Perfect preservation with editorial margins.